Archive for category Christian Fiction

Review:Seeker Of Truth by C.L. Shore

Seeker Of Truth
by C.L. Shore

Eternal Press, 2011
paperback 19.99
ISBN:978-1-61572-285-3
Reviewed by Agnes Dee

Seeker Of Truth, is a crime/murder mystery from C.L. Shore, a teacher, nurse, and mother, living in the Indianapolis area. Her protagonist is Sister Lucie, a nun (and recent widow) who has recently taken her vows, who teams with police detective Jed McCracken to find the murderer of Charlene, a woman who left the convent to marry the president of a local college.

Sister Lucie has a personal interest: the victim used to be friend of hers in high school, drifted apart, and never reconected at the convent. Sister Lucie feels that perhaps, she let her friend down. When she hears of Charlene’s death, she calls her late husband’s ex-partner, and he takes over the investigation.

Catholic in nature, this book doesn’t shy away from seedier aspects of criminality. Its story examines marriage: a fullfilled one, and the concequences of a marriage-of-convenience. It is well-written, and thoughtful.

DISCLOSURE OF MATERIAL CONNECTION:  I have a material connection because I received a review copy that I can keep for consideration in preparing to write this content. I was not expected to return this item after my review.

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Review: BLEEDER by John Desjarlais

Sophia Institute Press, August 5, 2009
Trade Paperback, 257 pages
ISBN: 978-1-933184-56-2
$12.95

Reviewed by Larry W. Chavis

Devastated by the loss of his wife to leukemia, partially crippled and traumatized by a school shooting, Aristotle scholar and professor Reed Stubblefield seeks the peace of his brother’s hunting cabin in downstate Illinois to recuperate and write a book on Aristotle. Arriving in rustic River Falls, though, he finds all the area camps and lodgings crowded with people - sick and injured people, who have come to see the local Catholic pastor, a priest who is said to bear the Stigmata, and to be a healer. In spite of his own evident antipathy to any involvement in what he considers to be pure superstition, Reed discovers that his brother has arranged matters so that Reed’s meeting with the priest is inevitable. What follows is a bit of subtle intellectual give-and-take between the two, until the shocking demise of Father Ray during Good Friday services, a death that may or may not be murder.

The book is published by an imprint that, in its own words, ” … seeks to restore man’s knowledge of eternal truth …” and Christian thought, specifically Catholic thought, does inform the book. Yet Desjarlais is able to have his characters address deeply human issues in a manner that is in no sense heavy-handed or preachy. The college professor finds a kindred scholarly spirit in Father Ray, and is able to build a relationship on that basis apart from any religious connections, though he is, perhaps, able to address the void that has existed within since his wife’s death from a new angle as a resulting of knowing the priest. In the end, there is no grand conversion … merely deeper thought and consideration, perhaps an openness that he hasn’t had before.

The mystery around which all the events revolve is twofold - is Father Ray a stigmatic and healer, and was his death murder? These two questions are kept before the reader as the plot develops, through a young reporter seeking her big break in the stories surrounding Father Ray. The plot resolves both questions in what I felt was a satisfactory manner, and in keeping with the atmosphere of the story.

While the book does have as background a Catholic motif, it tells a story that transcends any particular set of beliefs, and is a good mystery besides.

Copyright ©2010 Larry W. Chavis

DISCLOSURE OF MATERIAL CONNECTION
I have a material connection because I received a review copy that I can keep for consideration in preparing to write this content. I was not expected to return this item after my review.

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Magic, Mensa & Mayhem by Karina L. Fabian

Magic, Mensa & Mayhem
Karina L. Fabian
Swimming Kangaroo Books, March 2009
Paperback, 232 pages
$13.99
Reviewed by Agnes Dee
Vern is a dragon, subdued by St. George. He is now around half his former size, and though no longer possesor of “The Knowledge of the Ages”, Vern has learned to put his trust in the Lord. His partner is Sister Grace; a nun gifted as a mage who works God’s magic with a beautiful singing voice. That’s the way it is in their Faerie principality, an alternative of our own, and that’s the way it would stay, if a rift hadn’t opened between their world and ours.

On this side of the rift, Vern has found a calling as a private eye, and that is what he is in most of Karina’s stories. This time, however, he and his partner get to watch over a group of Fairie folk at a Mensa convention - without even getting paid.

There’s no telling how the customs and idiocyncracies of the Faerie world, and of our world, clash. Vern and Sister Grace do a good job of keeping everything runing smoothly - if you don’t count the Elvish war declared against Florida, or the enviornmental uproar over Vern’s late-night snacks.

Karina manages to weave in some wonderful ideas about the nature of quantum physics, the nature of time, and the dangers of artificial sweeteners: That, and many funny situations. Throughout the book, her ideas remain faithful to christian thought, Catholicism in particular. This book is a funny read all the way through, engaging  in the smaller as well as the larger parts of the story.
DISCLOSURE OF MATERIAL CONNECTION
I have a material connection because I received a review copy that I can keep for consideration in preparing to write this content. I was not expected to return this item after my review.

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Review: THE PAWN by Steven James

The Pawn

by Steven James

Published by Onyx/Berkley
Mass-market Paperback: 427 pp.
IBSN 978-0-451-41279-9
$7.99
Reviewed by Von Pittman

Reviewers should not throw the word “diabolical” around loosely when describing villains in mystery novels.  But in “The Illusionist,” Steven James has created a character worthy of that adjective.  Not only does this serial killer enjoy torturing and killing young college women, he delights in manipulating the local authorities, the F.B.I., innocent suspects, and even another killer.  Because he commits his crimes over a wide geographic area in southern Appalachia, the F.B.I. calls in Patrick Bowers, an agent who specializes in the use of  “geospatial technology” to locate suspects.

As the number of victims increases, other pressures on Bowers intensify.  An old boss who despises him now runs the field office coordinating the investigation, and thus is his superior again.  He must work with an assertive young woman agent whose specialty is profiling, an approach Bowers considers pseudoscience, or worse.  Personal demons also complicate his work.  His grief over his wife’s recent death has soured his outlook on humanity.  His stepdaughter Tessa constantly challenges his authority.  Bowers learns she is a “cutter,” who deliberately inflicts pain on herself.  Then, the Illusionist ratchets up the tension by threatening Tessa.

Bowers resolves to move quickly, close the case, then devote his time to becoming a real parent.  The Illusionist, however, uses intricate tactics to expand the scope of the investigation, to prolong it, and to confuse his pursuers.  He is a master of misdirection.  He plants clues that refer not to present crimes, but to future ones.  He delights in  manipulating his pursuers, several times convincing them that they have solved the string of murder cases.  Then, he destroys their illusions and kills again.  Each time, Bowers, his profiler partner, and the rest of his pursuers must play catch-up ball.

Steven James, who earned a master’s degree in storytelling, rather than in writing or literature, uses his skills to create a strong narrative, which he complicates through rapid shifts of points-of-view and sub-plots.  He creates an usually large cast of intriguing characters, including a survivor of the 1979 Jonestown mass suicide and a southern governor with a sinister past.
It is unusual for a mystery novel to migrate from a Christian publishing house (Revell) to a popular one, and to find a mass audience.  Perhaps this is because most mysteries in the religious market tend to be certain and self -assured in their moral message, with a straightforward narrative that moves directly to a resolution of the problem.  The Pawn is less certain and more ambiguous.  Its characters are outright evil at worst, flawed at best.  The narrative is excellent, made devilishly complicated through misdirection.   Morality is a tough question; only the villains are certain of the righteousness of their actions.  The eventual solution is satisfactory—and fair to the reader—but neither neat nor precise.  Perhaps this is an indication that the Christian mystery reader is neither narrow-minded nor dogmatic.  Religious and secular mystery and thriller readers alike should enjoy The Pawn.

Copyright © 2009 Von Pittman

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