Archive for category Police Procedural
Review: THE DARK HORSE by Craig Johnson
Posted by Larry in Crime, Police Procedural, Western, Modern on June 4th, 2009
Hardcover, 336 pages
Publisher: Viking Adult (May 28, 2009)
ISBN-10: 0670020877
ISBN-13: 978-0670020874
$24.95, U.S.
$31.00, Canada
Reviewed by Larry W. Chavis
When Wade Barsad’s burned corpse is found with six .22 slugs in his skull, few people around Absalom in Campbell County, Wyoming are surprised and none sad. Barsad and his money had created trouble for almost everyone around. Few have any doubts about his killer, though – his wife, Mary, is found in a stupor, rifle in hand, and confesses to the killing, four times. The story goes ’round that Wade’s locking her horses in the barn and burning them to death gave her a final push over the edge.
Brought to nearby Absaroka County for safekeeping in the custody of Sheriff Walt Longmire, Mary, though dazed and uncommunicative, doesn’t seem guilty to Longmire. Though all the reports back up the airtight case against Mrs. Barsad, Walt decides to take a look for himself, with the tacit blessing of the Campbell County sheriff. So begins the latest in the Walt Longmire saga, one which has him and Dog in an unusual, and not so successful, undercover role.
All the good things about the Walt Longmire series – Johnson’s careful attention to character, the you-are-here presentation of the Wyoming setting – are present in this book, though the role of some is diminished a bit. Henry Standing Bear, for example, is present, but the relationship between Longmire and “The Cheyenne Nation” isn’t as prominent as in earlier books. Undersheriff Victoria “Vic” Moretti, being groomed by Walt to be his eventual replacement as sheriff (and other, less official duties) holds a central place, as usual forcing Walt to consider and deal with things he might wish to postpone. For regular readers of the series, it is good to be back in their company.
The story is told differently, though, in that Johnson uses a double, converging time line to tell the story, beginning in the present, then switching back and forth between “now” and a time ten days earlier. The effect is to put the reader immediately into the action, while filling in the back story in the switches. It may take some getting used to, but doesn’t, in my opinion, detract from the story.
The conclusion is classic Longmire, and will not disappoint. The Dark Horse is the latest in one of the best mystery series going. Don’t miss it.
Copyright ©2009 Larry W. Chavis
Review: AFRAID by Jack Kilborn
Posted by Larry in Crime, Police Procedural, Western, Modern on May 28th, 2009
Mass Market Paperback, 384 pages
Publisher: Grand Central Publishing (April 1, 2009)
ISBN-10: 0446535931
ISBN-13: 978-0446535939
$6.99
Reviewed by Larry W. Chavis
We all, writers, publishers, booksellers, and readers have grown accustomed to the various genre divisions of commercial fiction – thriller, suspense, romance, mystery, etc. – because they provide a handy organizational tool, a way to group books and authors which share certain characteristics. It would be a mistake, however, to view these divisions as hard and fast. While it is certainly easy to distinguish an antebellum romance from a techno-thriller, there is far more overlap in many of these genres than one might think.
Afraid, by Jack Kilborn, is a book not easy to classify. Crime fiction? It is certainly full of crimes of a high order. Suspense thriller? The intensity of its suspense is breath-taking. Horror? Its terrors slash viciously out of the darkness, page after page. Read Afraid and then walk down a rutted path deep in the woods without raising gooseflesh at every snap of a twig. This book is not for the faint-of-heart.
Yet Mr. Kilborn does not depend on some long-in-the-tooth undead noble (or his more tiresome modern progeny), no werewolves, witches, or practitioners of the Black Arts. The horrors in Afraid originate in an even greater evil: humanity’s never-ending crusade for more efficient and ghastly ways of killing each other. While the book depends on technologies that are – with any luck – not yet in existence, there is little doubt that someone, somewhere is working feverishly to bring them to birth. Kilborn plunges the reader deep into the shocking reality of a world in which they are set loose on a small town.
Safe Haven, Wisconsin is its name, but the crash of a helicopter strips it in one short night of any illusions of safety. Within minutes of the crash the dying begins, and a ruthless, implacable force spreads into the town, killing horribly, seeking the answer to one question: “Where is Warren Streng?” Isolated by geography and the military, the only opposition is Sheriff Streng, Warren’s long-estranged brother, Josh VanCamp, an idealistic firefighter, and Fran Stauffer, single mother and waitress. This unlikely crew must fight their own terror as they try to defeat their unknown foes.
Written in an unrelenting fever-pitch style, Afraid is a page-turner you truly will not want to put down.
Copyright ©2009 Larry W. Chavis
Review: IN THE SHADOW OF GOTHAM by Stefanie Pintoff
Posted by Marlene in Historical Mystery, Police Procedural on May 13th, 2009
ISBN 978-0-312-54490-4
Hardcover, 400 pages
Minotaur
Reviewed by Marlene Pyle
In the Shadow of Gotham is an historical crime novel, set in New York in the early 1900’s. A young woman is murdered in her own home, and Detective Simon Ziele is sent to investigate. He is working with a criminologist from Columbia University and together the two must unravel the strange circumstances of this killing.
Police procedures, of course, were vastly different 100 years ago. It was fascinating to read about the early stages of fingerprinting techniques and the beginnings of what we know today as “criminal profiling.” Ms. Pintoff, herself a graduate of Columbia Law School, has done an excellent job of researching these areas and her richly-detailed plot makes for a smoothly flowing novel.
As a winner of the Minotaur Books/Mystery Writer’s of America First Crime Novel Competition, In the Shadow of Gotham will be a tough act to follow for future entrants.
Copyright © 2009 Marlene Pyle
Review: DEATH WORE WHITE by Jim Kelly
Posted by Larry in Crime, Police Procedural, Thriller on May 4th, 2009
UK: Paperback: 400 pages
Publisher: Penguin (5 Feb 2009)
Language English
ISBN-10: 0141027517
ISBN-13: 978-0141027517
US: Hardcover: 400 pages
Publisher: Minotaur Books (June 9, 2009)
Language: English
ISBN-10: 0312570813
ISBN-13: 978-0312570811
Reviewed by Larry W. Chavis
Some books are classified thrillers because of the nonstop mayhem and destruction wreaked by the characters, good and bad. Others might be thrilling on a more cerebral plane – the intellectual thrill of solving a complex crime. Of course, these books are more likely to be called traditional mystery rather than thriller. Jim Kelly’s Death Wore White, while called “the most ingenious thriller in years” in its UK paperback cover copy, is definitely one of the latter variety. And U. S. readers are in for a treat on that account when it is released here in early June.
Young, new Detective Inspector Peter Shaw has just been partnered with Detective Sergeant George Valentine, a grizzled veteran who has some aversion to taking direction from a younger, less-experienced officer like Shaw in the best of times. Compounding this rather natural inclination is the fact that Valentine was himself a DI, before being demoted in the wake of suspicion that he and his former partner – Jack Shaw, Peter’s father – planted evidence in the murder of a child. The dynamic between the two is always colored by this past, with both attempting to give the other the benefit of the doubt. In fact, a subplot of the book involves DI Shaw’s trying to find out just what did happen with that old case.
The main plot, though, is a truly fascinating one: Harvey Ellis sits in a line of traffic on an isolated road along the Norfolk coast, trapped by a fallen tree in a snowstorm. At 8:15 p. m., he is discovered stabbed to death, despite having been in full view of the other drivers the whole time, and the fact that no footprints mar the snow around his vehicle. The crime is, in effect, a neat twist on the classic “locked room” mystery. As the story unfolds, there are enough plot twists and clues to warm the cockles of the most inveterate puzzle-master, and the author demonstrates great skill in weaving these together into a surprising tapestry. The characters, though, are not just cardboard pieces to be placed in their slots, but are full and developed, and the plot itself arises from their idiosyncrasies. Kelly’s writing is graceful, at times approaching elegant. Fans of mystery and good writing will have much to enjoy in this book.
Copyright © 2009, Larry W. Chavis


